Correspondences is a quiet exploration of relationship rather than representation. Across these images, small and fragile forms—wild flowers, stems, and dissolving blossoms—enter into dialogue with distant light, open sky, and circular echoes that suggest sun or moon. The work does not seek to explain these relationships, but to hold them in balance.
Moving between clarity and dissolution, the photographs trace moments where scale begins to loosen: the near brushes against the far, the intimate against the vast. Through repetition, layering, and pause, forms appear, fade, and reappear—less as fixed subjects than as fleeting correspondences that unfold through attentive looking.
Rather than presenting a linear narrative, the series invites a slower rhythm of seeing. Meaning emerges through accumulation and sequence, in the quiet space where perception shifts and familiar boundaries soften. In this space, the images become less about what is seen, and more about how different presences—earth and sky, detail and distance—quietly recognize one another.