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This series examines a condition in which natural forms no longer appear stable, but are continuously reshaped through digital processes. Using botanical imagery as a point of departure, the work subjects organic structures to liquification, producing images where boundaries dissolve and form becomes provisional. These are not depictions of transformation as an event, but of instability as an ongoing state. The work reflects a mode of perception in which the distinction between the natural and the computational is increasingly blurred, and where structure cannot fully resolve.